We did some more pictures.
Well well well, look who it is here.
Edited this post because I finished working on the ones I thought were the best.
- FILM GRAIN
Dragon*con to me, in five pictures.
I went to Dragon*con again! I made five pictures to explain how I felt about it this time.
- This guy looks like a sad horse.
- WRESTLING
- Six dollar hamburgers, seven dollar beer.
- Everybody has a camera and they use it all the god damned time.
- Santa?
Lot #54
I was driving around and spotted the subdivision called “Parkview Legends”, so I decided to drive in and check it out. What was before me was quite interesting. See land owners failed to contract out all of the housing and what was left was 66 lots of land. These lots are owned by a bank now and the interesting thing is that they’re all labeled for everyone driving by to see and purchase. This place is very interesting and from what I discovered, each individual lot has something special about it. So I’m going to spend some more time here and post a picture from each open lot. Starting with Lot #54.
Conveying Alienation.
Welp, I’m posting things again.
I have been pondering how exactly to convey a feeling of “alienation” towards what few viewers I possibly have. So what came about was shooting a development at night. Hopefully this establishes the connection I have with the lost properties I photograph. Even without the orange fluorescent lighting, I see the areas in an other worldly manor. Have a look and feel free to leave comments and whatever.
Johnson Creek
Boy you can sure find some interesting places if you drive around Gwinnett County for 5 minutes. This one was grown in like a jungle.
SOLO SHOW! Inqusition live at the Carroll Street Cafe.
Hey there everybody, I hung my second solo show this morning at the Carroll Street Cafe in Cabbagetown, GA. It’s Ten pieces from my Inqusition series and three from my other two works in progress. I plan on having a small opening one Saturday this month so feel free to stop by and take a look. They serve some very interesting food and beverages, (plus some mean coffee).
It’s going to be up until Labor Day so drop by and have a look! Here’s a shot of the space.
The address is
Success Lives Here 2
I have been slowing down while I visit these abandoned subdivisions and really paying attention to my surroundings. Focusing more on seeing, using a tighter focal length, and taking less pictures seem (to me) to be improving my composition. My subject seems to be moving into a nature vs man basis and while that is not exactly an original idea, a great photographer once said to me in one of the apg critiques, “It doesn’t matter how many times it’s been done, you’re always going to see in a new way and why cheat yourself of a great picture?” (that’s a paraphrase).
In my earlier work with these places I found I focused on more of a grand scheme of things and just involved a large scene that showed bluntly how wastes of property really demolish the natural beauty of an area. In this particular set of images I visited a foreclosed subdivision where every home was demolished and all that remained were their driveways, foundations, and rubble. Interestingly enough, plant life has found ways to grow around and through the concrete and old utility pipes. This has, in turn, affected my whole view on this project I have been working on for almost 2 years now.
Looking closely at these places showed me that even though nature is making a “comeback” and “reclaiming” the land, it is also losing the battle and dying with the man made structures. It’s an interesting study and I want to revisit this site with company next time so I don’t get chased off by howling dogs again.
Success Lives Here- (Formerly Known as Real Development)
Hey guys, I visited another development the other day. This time I focused on composition and seeing. It turns out when you get over the sheer stupidity of these places you can find some interesting things to photograph. I also messed around with the post processing in these images to give them a bit more personality.
If you’re wondering what I’m working with this time, it’s a Leica R 50mm f2 adapted to an Olympus E-300. They’re all vertical because my job requires me to shoot horizontals all day long.
- I'm not a fan of fine art trees, but I like this one.







































